All Blog Posts Tagged 'wall' - FRETS.NET2024-03-28T20:24:29Zhttp://fretsnet.ning.com/profiles/blog/feed?tag=wall&xn_auth=noInternational Relocation: Moving from London to a New Countrytag:fretsnet.ning.com,2023-10-20:2177249:BlogPost:2945402023-10-20T09:20:57.000ZOliver Joneshttp://fretsnet.ning.com/profile/OliverJones
<p>Relocating from one city to another can be a daunting task, but when you're faced with the prospect of moving from a bustling metropolis like London to an entirely new country, the challenges can seem even more overwhelming. International relocation is a significant life change, and it requires careful planning, adaptability, and a willingness to embrace a new culture and way of life. In this article, we'll explore the intricacies of…</p>
<p>Relocating from one city to another can be a daunting task, but when you're faced with the prospect of moving from a bustling metropolis like London to an entirely new country, the challenges can seem even more overwhelming. International relocation is a significant life change, and it requires careful planning, adaptability, and a willingness to embrace a new culture and way of life. In this article, we'll explore the intricacies of <a href="https://rslmanandvan.co.uk/services/home-removals" target="_blank" rel="noopener">home removals London</a> to a new country and offer valuable tips to help make your transition as smooth as possible.</p>
<br />
<h2>1. Planning and Preparation:</h2>
<p>The first step in any international relocation is meticulous planning. Start by researching your destination country, its culture, language, and legal requirements. Consider factors such as visa and work permit regulations, healthcare options, and the cost of living. Create a detailed checklist of tasks that need to be completed before and after your move, including selling or renting out your London property, finding accommodation in your new country, and securing necessary documents like a passport and visa.</p>
<p>Thorough research is key when moving to a new country. Understanding the legal and practical requirements can save you a lot of headaches later on. Depending on your destination, you may need to obtain a visa or work permit, which can be a time-consuming process. It's essential to familiarize yourself with the specific entry and residence requirements of the country you are moving to.</p>
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/12260471692?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/12260471692?profile=RESIZE_710x" class="align-full"/></a></p>
<h2>2. Finding Accommodation:</h2>
<p>One of the most crucial decisions you'll make during an international relocation is choosing a place to live in your new country. Research the local housing market, taking into account your budget, location preferences, and commute to work. It's often helpful to visit your destination country beforehand to explore neighborhoods and potential housing options.</p>
<p>The process of finding accommodation can be a challenging one, especially if you're not familiar with the local real estate market. Start your search well in advance of your move, and consider hiring a local real estate agent who can help you navigate the rental or property purchase process.</p>
<h2>3. Financial Considerations:</h2>
<p>Understanding the financial aspects of your move is essential. You'll need to establish a bank account in your new country, convert your money to the local currency, and explore international banking options to ensure your finances remain accessible. Investigate the cost of living and set up a budget that considers the potential fluctuations in your income and expenses.</p>
<p>Consider opening a bank account in your new country to make it easier to manage your finances. Transferring money internationally can be expensive, so having a local bank account will simplify day-to-day transactions. It's also wise to consult with a financial advisor to understand any tax implications of your international move.</p>
<h2>4. Healthcare and Insurance:</h2>
<p>Healthcare systems can vary significantly from country to country. Research the healthcare options available in your new location, including the availability of private health insurance, and ensure that you are adequately covered. It's essential to have a plan for emergencies and routine medical care.</p>
<p>Check if your existing health insurance covers you abroad or if you need to purchase international health insurance. Be aware of the healthcare system in your new country, including how to access care, find a local doctor, and handle medical emergencies. Understanding these aspects is critical for your well-being and peace of mind.</p>
<h2>5. Legal Requirements and Documentation:</h2>
<p>Navigating the legal requirements of international relocation can be complex. Ensure you have all the necessary documents in order, such as visas, work permits, and residence permits. It's also essential to understand the local tax laws and requirements, including any tax treaties between your home country and your new one.</p>
<p>Legal requirements can be a maze, but it's essential to navigate them correctly to avoid complications down the road. Seek assistance from legal experts or consultants who specialize in international relocation. They can guide you through the visa and work permit application processes and ensure that your documents are in order.</p>
<h2>6. Language and Culture:</h2>
<p>Adjusting to a new culture and potentially a new language can be one of the most significant challenges of international relocation. Consider taking language courses and immersing yourself in the local culture to help bridge the gap. Understanding local customs, traditions, and social norms can go a long way in making your transition smoother.</p>
<p style="text-align: left;">Learning the local language is a valuable investment in your new life. It not only helps with day-to-day interactions but also shows respect for the local culture. Take language courses or use language-learning apps and practice regularly. Immerse yourself in the culture, try local cuisine, and participate in cultural events to build a sense of belonging.</p>
<p style="text-align: center;"></p>
<p style="text-align: center;"><iframe width="560" height="315" src="https://www.youtube.com/embed/tM_aQgwxwuw?si=2FhzhxcSi8f9qYVQ&wmode=opaque" frameborder="0" allowfullscreen=""></iframe>
</p>
<h2>7. Moving Logistics:</h2>
<p>Hiring a reputable international moving company is essential for a stress-free relocation. They will assist with packing, shipping, customs documentation, and the logistics of moving your belongings to your new country. Ensure that you have a clear inventory of your possessions, as well as insurance coverage for potential loss or damage during the move.</p>
<p>Choose your international moving company wisely. Seek recommendations from expats who have made similar moves and research companies that specialize in international relocations. It's crucial to have a clear understanding of the moving process, including packing, shipping, customs regulations, and delivery times.</p>
<h2>8. Network and Support:</h2>
<p>Building a support network in your new country is crucial. Seek out expat communities, connect with local residents, and use social media and online forums to find like-minded individuals who have gone through similar experiences. They can offer advice, support, and friendship during your transition.</p>
<p>Expatriate communities can be a valuable resource for newcomers. These communities often organize events, share advice on living in the new country, and provide a sense of belonging. Additionally, make an effort to connect with locals, as they can offer unique insights and experiences.</p>
<h2>9. Patience and Adaptability:</h2>
<p>International relocation is not without its challenges. There will be moments of frustration and homesickness. Be patient with yourself and open to new experiences. Embrace the opportunities that come with living in a new country and stay flexible in your expectations.</p>
<p>It's natural to experience a mix of emotions when moving to a new country. There will be moments of excitement, curiosity, and happiness, but also periods of homesickness and frustration. Understand that these emotions are part of the process and give yourself time to adapt.</p>
<h2>10. Enjoy the Journey:</h2>
<p>While international relocation can be a demanding process, it's also an exciting adventure. Embrace the opportunity to explore new cultures, taste different cuisines, and create lasting memories. Keep a positive attitude and look forward to the personal growth that comes with adapting to a new way of life.</p>
<p>Ultimately, international relocation is a life-changing experience filled with opportunities for personal growth and enrichment. By addressing the practical aspects of relocation, understanding the culture and customs of your new home, and building a support network, you can make the transition smoother and truly enjoy the journey of international living. With the right mindset and preparation, your move can be the start of an enriching chapter in your life. Embrace the adventure, and savor the opportunity to write a new, exciting chapter in your life's story.</p>Got a beat up old Martin I'd like to fix for a player guitartag:fretsnet.ning.com,2021-03-19:2177249:BlogPost:2786262021-03-19T23:14:52.000ZDAVID BURNShttp://fretsnet.ning.com/profile/DAVIDBURNS490
<p>Howdy Folks,</p>
<p></p>
<p>My 1st post here. My story is that a friend of mine gave me an old Martin that someone gave him when he was 17. He's nearly 90 now so it was awhile back. We drove down to Gryphon last summer to have Frank and Richard evaluate this guitar and they concluded it was a 1906 0-30.</p>
<p></p>
<p>As you can see it's very beatup. Sorry about the picture size and shooting from the bathroom.</p>
<p>Somebody sanded the original finish off the top. My friend when to a…</p>
<p>Howdy Folks,</p>
<p></p>
<p>My 1st post here. My story is that a friend of mine gave me an old Martin that someone gave him when he was 17. He's nearly 90 now so it was awhile back. We drove down to Gryphon last summer to have Frank and Richard evaluate this guitar and they concluded it was a 1906 0-30.</p>
<p></p>
<p>As you can see it's very beatup. Sorry about the picture size and shooting from the bathroom.</p>
<p>Somebody sanded the original finish off the top. My friend when to a repairman to fix the bridge and he replaced it with a non original bridge and kept the original Martin bridge. There's cracks in the top, big ones in the lower bout, the top of the upper bout is starting to crack and the back is forming a crack starting at the lower extremity of the body. Also much of the ivory binding is loose or missing. The action is on the high side and is gets out of tune fast as you go up the neck</p>
<p></p>
<p>My goal is to put this guitar into decent playable condition so I can use it to mess around with. My friend gave it to me because he knew I was playing it everyday. Plus he's an accordion player!</p>
<p></p>
<p>My plan of attack was to start by...</p>
<p>1) removing the back to get access to the major components but I'm reading from you guys that it would be a bad idea to do that. </p>
<p>2) repairing the cracks in the top, back, and sides (Titebond then linen tape re-enforcement?)</p>
<p>3) having access to the neck block, I could remove the neck and do a neck reset. (yeah I know this sounds overly ambitious but I'm feeling cocky after doing a complete re-fret and re-installing the bridge on an old Gibson [also given to me by a friend who was given this guitar but he's a lefty so he passed it onto me)</p>
<p>4) putting everything back together if I ever get to the point that this could occur</p>
<p>5) performing a re-finish to the top, sides, and back with a French-polish type finish (unless I hear the majority of responders pleading not to do such a sacrilegious thing)</p>
<p></p>
<p>This guitar reminds me of watching Leon Redbone on SNL and being totally blown away. I wish it was a D-18 but grateful my sweet friend parted with it. Just trying to make a good home for a little bitty waif of a guitar... </p>
<p></p>
<p>Best Regards,</p>
<p></p>
<p>David Burns</p>
<p></p>
<p></p>
<p>The best light is in there.</p>
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/8685570862?profile=original" target="_blank" rel="noopener"><br/><img src="https://storage.ning.com/topology/rest/1.0/file/get/8685570862?profile=RESIZE_710x" class="align-full"/></a><a href="https://storage.ning.com/topology/rest/1.0/file/get/8685571058?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/8685571058?profile=RESIZE_710x" class="align-full"/></a><a href="https://storage.ning.com/topology/rest/1.0/file/get/8685571659?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/8685571659?profile=RESIZE_710x" class="align-full"/></a><a href="https://storage.ning.com/topology/rest/1.0/file/get/8685572288?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/8685572288?profile=RESIZE_710x" class="align-full"/></a><a href="https://storage.ning.com/topology/rest/1.0/file/get/8685572093?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/8685572093?profile=RESIZE_710x" class="align-full"/></a></p>Compression fretting with Bar Fretstag:fretsnet.ning.com,2021-03-01:2177249:BlogPost:2773412021-03-01T19:30:00.000ZNathan Peirsonhttp://fretsnet.ning.com/profile/NathanPeirson
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/8621507497?profile=original" rel="noopener" target="_blank"><img class="align-full" src="https://storage.ning.com/topology/rest/1.0/file/get/8621600289?profile=RESIZE_710x"></img></a> Hi folks,</p>
<p>I recently acquired an early Martin, possibly a model 17, somewhere around 1867 thru 1889. No serial number but stamped on the inside back brace and just below the ice cream cone style heel, Martin and Co New York. It has bar frets, as you would imagine. The action is pretty bad, about 11/64 at the 12th fret. Rather than have to mess with a…</p>
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/8621507497?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/8621600289?profile=RESIZE_710x" class="align-full"/></a>Hi folks,</p>
<p>I recently acquired an early Martin, possibly a model 17, somewhere around 1867 thru 1889. No serial number but stamped on the inside back brace and just below the ice cream cone style heel, Martin and Co New York. It has bar frets, as you would imagine. The action is pretty bad, about 11/64 at the 12th fret. Rather than have to mess with a neck reset with that tricky neck heel design, I wonder if I could alleviate some of the issue with compression fretting. That being said, how do you go about deciding what size frets and which frets to start with? Any info is appreciated. Thank you.</p>Suspicious e-mailtag:fretsnet.ning.com,2021-02-06:2177249:BlogPost:2649492021-02-06T12:31:57.000ZGeorge Goumashttp://fretsnet.ning.com/profile/GeorgeGoumas
<p>I received a suspicious email by "Christina A" who advised that she saw my profile on this site and needed to discuss something with me privately. I still have the email and the links., but did not respond. Your site may have been compromised.</p>
<p></p>
<p>I have forwarded the email for your review.</p>
<p>Please advise,</p>
<p></p>
<p>George Goumas </p>
<p></p>
<p> ______________________________________________________________________…</p>
<div class="I_52qC D_FY W_6D6F"></div>
<p>I received a suspicious email by "Christina A" who advised that she saw my profile on this site and needed to discuss something with me privately. I still have the email and the links., but did not respond. Your site may have been compromised.</p>
<p></p>
<p>I have forwarded the email for your review.</p>
<p>Please advise,</p>
<p></p>
<p>George Goumas </p>
<p></p>
<p> ______________________________________________________________________</p>
<div class="I_52qC D_FY W_6D6F"><div class="msg-body P_wpofO mq_AS"><div class="jb_0 X_6MGW N_6Fd5"><div><div dir="ltr">Christina A added a comment to your profile on FRETS.NET</div>
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<div dir="ltr">Good Day,</div>
<div dir="ltr">How is everything with you, I picked interest on you after going through your short profile and deemed it necessary to write you immediately. I have something very vital to disclose to you, but I found it difficult to express myself here, since it's a public site.Could you please get back to me on:(<span> </span><a href="mailto:officialaishacbd@gmail.com">officialaishacbd@gmail.com</a><span> </span>) for the full details.</div>
<div dir="ltr">Have a nice day</div>
<div dir="ltr">Thanks God bless</div>
<div dir="ltr">Aisha.</div>
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</div>Neck Reset: Glued Mortise and Tenon Joint on an antique parlor guitartag:fretsnet.ning.com,2019-08-23:2177249:BlogPost:1865272019-08-23T21:52:12.000ZLarry Houpthttp://fretsnet.ning.com/profile/LarryHoupt
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/3444319004?profile=original" rel="noopener" target="_blank">2019-08-23%20002.JPG</a></p>
<p></p>
<p>Hello. I removed the back of an antique (English?) parlor guitar which needs various repairs, including a neck reset. I can see that the neck joint is a tightly-fitted, glued mortise and tenon. The mortise measures 5/16" wide and 1/2" deep. I've done neck resets, but only on dovetail joints.</p>
<p>Can anyone provide guidance on…</p>
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/3444319004?profile=original" target="_blank" rel="noopener">2019-08-23%20002.JPG</a></p>
<p></p>
<p>Hello. I removed the back of an antique (English?) parlor guitar which needs various repairs, including a neck reset. I can see that the neck joint is a tightly-fitted, glued mortise and tenon. The mortise measures 5/16" wide and 1/2" deep. I've done neck resets, but only on dovetail joints.</p>
<p>Can anyone provide guidance on how to remove this neck? The only way I can think of to steam it off would be to loosen the fret board overhang, drill two holes at the inner corners of the mortise from the back all the way through, and move the steam needle back and forth. Or drill the same holes and use one of the new steamless needles.</p>
<p>Is it likely the heel is glued to the sides? If so, any suggestions on how to release the glue there? </p>
<p>Thank you in advance.</p>
<p></p>
<p>Regards,</p>
<p></p>
<p>Larry</p>
<p></p>The GUITARLIFT: a FABULOUS and REVOLUTIONARY new “guitar support” product!tag:fretsnet.ning.com,2019-07-04:2177249:BlogPost:1853462019-07-04T21:23:34.000ZStanley Alexandrowiczhttp://fretsnet.ning.com/profile/StanleyAlexandrowicz
<p class="p1">Dear Friends, Colleagues, and Students: I am Happy to announce a FABULOUS and REVOLUTIONARY new “guitar support” product (I am currently using) which EVERY CLASSICAL GUITARIST SHOULD HAVE — the GUITARLIFT! Originating from the “Genius” of guitarist-creator Felix Justen, and manufactured in Germany to the Highest Standards of “Fit and Finish” the GUITARLIFT’s “Ergonomically Correct Design”<span class="Apple-converted-space"> </span> allows the guitarist to maintain Perfect Posture…</p>
<p class="p1">Dear Friends, Colleagues, and Students: I am Happy to announce a FABULOUS and REVOLUTIONARY new “guitar support” product (I am currently using) which EVERY CLASSICAL GUITARIST SHOULD HAVE — the GUITARLIFT! Originating from the “Genius” of guitarist-creator Felix Justen, and manufactured in Germany to the Highest Standards of “Fit and Finish” the GUITARLIFT’s “Ergonomically Correct Design”<span class="Apple-converted-space"> </span> allows the guitarist to maintain Perfect Posture and Alignment whilst allowing Maximum Adjustability in all parameters! The GUITARLIFT provides Extreme Stability (no slipping or sliding) and Zero Stress to the body! The Revolutionary Concept and Design moreover allows the guitar to “vibrate to its highest capacity” to bring forth balance, tonal beauty, and maximum volume from the instrument! It is available in several sizes (from children’s to large adult) and color options. I am attaching photos below, and additional information can be obtained via Maestro Felix Justen here on FB, via E-mail: info@guitarlift.de or on the website: <a href="https://guitarlift.de/en/"><span class="s1">https://guitarlift.de/en/</span></a></p>
<p class="p1">Bravissimo Maestro Felix Justen and GUITARLIFT!</p>Luthier Festivaltag:fretsnet.ning.com,2019-01-24:2177249:BlogPost:1828842019-01-24T19:20:10.000ZGinger Johnsonhttp://fretsnet.ning.com/profile/GingerJohnson
<p>I am proud to announce we will be hosting the Mountain Acoustics Luthier Festival in Burnsville, North Carolina. Below is a short summary of the festival. Please let me know if you would like any further information.</p>
<p></p>
<p>GINGER JOHNSON</p>
<p>ginger@yanceychamber.com</p>
<p>chee@mountainacoustics.com </p>
<p>828-682-7413</p>
<p> </p>
<p>Join us in Burnsville, North Carolina, on May 24-26 for the 1<sup>st</sup> Annual Mountain Acoustics Luthier Invitational. The inaugural…</p>
<p>I am proud to announce we will be hosting the Mountain Acoustics Luthier Festival in Burnsville, North Carolina. Below is a short summary of the festival. Please let me know if you would like any further information.</p>
<p></p>
<p>GINGER JOHNSON</p>
<p>ginger@yanceychamber.com</p>
<p>chee@mountainacoustics.com </p>
<p>828-682-7413</p>
<p> </p>
<p>Join us in Burnsville, North Carolina, on May 24-26 for the 1<sup>st</sup> Annual Mountain Acoustics Luthier Invitational. The inaugural Invitational showcases the art of hand building fine, stringed instruments and celebrates the skill and art of lutherie. This event gathers some of the most talented luthiers in the southeast. Come enjoy this unique three-day event which includes a concert, exhibits, workshops and more. Jay Lichty of Tryon, NC, is the Host Luthier.. <br/> <br/> Festivities kick off Friday evening with a free luthier jam at Homeplace Beer Co. The public is invited to explore exhibits and workshops throughout the day Saturday and Sunday. Saturday night, guitar virtuoso Kaki King performs a concert at Parkway Playhouse. INFO on times and ticket prices: <a href="http://www.mountainacoustics.com">www.mountainacoustics.com</a>, 706-424-2700. </p>ibanez.....tag:fretsnet.ning.com,2018-12-24:2177249:BlogPost:1821892018-12-24T00:42:23.000Zjoe butkinshttp://fretsnet.ning.com/profile/joebutkins
<p>i have nurreled pot knobs but no set screw how do u get them off thank you</p>
<p>i have nurreled pot knobs but no set screw how do u get them off thank you</p>squier standard fender tunning keytag:fretsnet.ning.com,2018-09-07:2177249:BlogPost:1804282018-09-07T23:36:45.000Zjoe butkinshttp://fretsnet.ning.com/profile/joebutkins
<p>what can of tunning keys could i put on this squier 2018....Standard????i just gutted the electronics put seymore duncan Hot rails...changed pots ect..... now tunning keys locking i am thinking of getting</p>
<p>what can of tunning keys could i put on this squier 2018....Standard????i just gutted the electronics put seymore duncan Hot rails...changed pots ect..... now tunning keys locking i am thinking of getting</p>prs zach meyers 2017 tone pros 2tag:fretsnet.ning.com,2018-08-19:2177249:BlogPost:1801582018-08-19T17:46:32.000Zjoe butkinshttp://fretsnet.ning.com/profile/joebutkins
<p>av2m tune ros wrap around bridge works awesome for prs se guitars</p>
<p>av2m tune ros wrap around bridge works awesome for prs se guitars</p>FENDER SNtag:fretsnet.ning.com,2018-08-10:2177249:BlogPost:1799142018-08-10T16:33:45.000Zjoe butkinshttp://fretsnet.ning.com/profile/joebutkins
<p>i cant fing out how old this fender dg8s is??sn....090420688</p>
<h2 class="css-1q5i0w0 e1cxe2lc0"><span id="wordOrigin"><span class="css-1fxfie5 e1vvcl3c0">acoustic guitar fender</span></span></h2>
<p></p>
<p></p>
<p><span><span class="css-1fxfie5 e1vvcl3c0">Thank you how ever can help me</span></span></p>
<p>i cant fing out how old this fender dg8s is??sn....090420688</p>
<h2 class="css-1q5i0w0 e1cxe2lc0"><span id="wordOrigin"><span class="css-1fxfie5 e1vvcl3c0">acoustic guitar fender</span></span></h2>
<p></p>
<p></p>
<p><span><span class="css-1fxfie5 e1vvcl3c0">Thank you how ever can help me</span></span></p>prs zach meyers 2017tag:fretsnet.ning.com,2018-07-11:2177249:BlogPost:1794902018-07-11T01:02:02.000Zjoe butkinshttp://fretsnet.ning.com/profile/joebutkins
<p>looking for a sloted stop tail wrench that fits the dia at 15 mm... the have others but only fits 12mm studs</p>
<p></p>
<p>looking for a sloted stop tail wrench that fits the dia at 15 mm... the have others but only fits 12mm studs</p>
<p></p>Takamine Acustic guitar EG54tag:fretsnet.ning.com,2018-06-14:2177249:BlogPost:1788992018-06-14T22:00:00.000Zjoe butkinshttp://fretsnet.ning.com/profile/joebutkins
<p>how can i shave the saddles down on this guitar....lower the action</p>
<p>EG54 Takamine<a href="http://storage.ning.com/topology/rest/1.0/file/get/2220514412?profile=original" target="_self">jims%20gui.jpg</a> </p>
<p>click in the links to see what i mean... TY Joe</p>
<p>how can i shave the saddles down on this guitar....lower the action</p>
<p>EG54 Takamine<a href="http://storage.ning.com/topology/rest/1.0/file/get/2220514412?profile=original" target="_self">jims%20gui.jpg</a> </p>
<p>click in the links to see what i mean... TY Joe</p>Vintage tuner repairtag:fretsnet.ning.com,2018-03-30:2177249:BlogPost:1777002018-03-30T22:54:04.000Zonewenthttp://fretsnet.ning.com/profile/onewent
<p>These tuners are from the late 30s and have metal buttons. I just noticed that one of them has a defective button, as you can see in the picture. </p>
<p>Has anyone had success in repairing these? Seems like the metal inside gave way allowing the button to spin over the shaft. </p>
<p>It's a vintage guitar in near mind condition and I'd really like to keep the tuners.</p>
<p>Thx..Tom…</p>
<p></p>
<p>These tuners are from the late 30s and have metal buttons. I just noticed that one of them has a defective button, as you can see in the picture. </p>
<p>Has anyone had success in repairing these? Seems like the metal inside gave way allowing the button to spin over the shaft. </p>
<p>It's a vintage guitar in near mind condition and I'd really like to keep the tuners.</p>
<p>Thx..Tom</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220515669?profile=original" target="_self"><img src="http://storage.ning.com/topology/rest/1.0/file/get/2220515669?profile=original" width="563" class="align-full"/></a></p>great fret persontag:fretsnet.ning.com,2018-01-03:2177249:BlogPost:1762172018-01-03T19:51:21.000Zsteve lawsonhttp://fretsnet.ning.com/profile/stevelawson
<p>is there a great fret person in the coachella valley? the truss rod will not fix my problem. i suspect the saddle may need to be raised but i'm just a player.</p>
<p>is there a great fret person in the coachella valley? the truss rod will not fix my problem. i suspect the saddle may need to be raised but i'm just a player.</p>More loose bindingtag:fretsnet.ning.com,2017-12-07:2177249:BlogPost:1759852017-12-07T23:12:05.000ZLARRY KLOSEhttp://fretsnet.ning.com/profile/LARRYKLOSE
<p>I have a 17 year old F5 mandolin with spirit varnish finish. The celluloid binding on the long curve on the bass side of the headstock is lifting in the middle. To complicate, the end of this section was previously re-attached with ACC, about an inch. The end under the small scroll is still attached. I'd prefer to reattach this with LMI binding cement which has worked great for me in past applications (including another spot on the same instrument) but I can't get a clean application of…</p>
<p>I have a 17 year old F5 mandolin with spirit varnish finish. The celluloid binding on the long curve on the bass side of the headstock is lifting in the middle. To complicate, the end of this section was previously re-attached with ACC, about an inch. The end under the small scroll is still attached. I'd prefer to reattach this with LMI binding cement which has worked great for me in past applications (including another spot on the same instrument) but I can't get a clean application of the adhesive with the end still attached. So the question is how to proceed. Should I carefully cut the ACC bond with a razor blade? I have a product called un-cure which does just that with ACC but I'm concerned that it will melt the celluloid or damage the varnish. I welcome any suggestions on how to proceed. Also, does acetone damage spirit varnish? Clean up of the binding cement is with acetone, although it works like a contact cement so there's no squeeze out if applied carefully so that's not a big problem.</p>
<p>Larry</p>More loose bindingtag:fretsnet.ning.com,2017-12-07:2177249:BlogPost:1758852017-12-07T17:18:31.000ZLARRY KLOSEhttp://fretsnet.ning.com/profile/LARRYKLOSE
<p>I have a 17 year old F5 mandolin with spirit varnish finish. The celluloid binding on the long curve on the bass side of the headstock is lifting in the middle. To complicate, the end of this section was previously re-attached with ACC, about an inch. The end under the small scroll is still attached. I'd prefer to reattach this with LMI binding cement which has worked great for me in past applications (including another spot on the same instrument) but I can't get a clean application of…</p>
<p>I have a 17 year old F5 mandolin with spirit varnish finish. The celluloid binding on the long curve on the bass side of the headstock is lifting in the middle. To complicate, the end of this section was previously re-attached with ACC, about an inch. The end under the small scroll is still attached. I'd prefer to reattach this with LMI binding cement which has worked great for me in past applications (including another spot on the same instrument) but I can't get a clean application of the adhesive with the end still attached. So the question is how to proceed. Should I carefully cut the ACC bond with a razor blade? I have a product called un-cure which does just that with ACC but I'm concerned that it will melt the celluloid or damage the varnish. I welcome any suggestions on how to proceed. Also, does acetone damage spirit varnish? Clean up of the binding cement is with acetone, although it works like a contact cement so there's no squeeze out if applied carefully so that's not a big problem.</p>
<p>Larry</p>BASS 3/4 size standup (dog house)tag:fretsnet.ning.com,2017-09-06:2177249:BlogPost:1725592017-09-06T22:21:30.000ZCharlie Bowerbankhttp://fretsnet.ning.com/profile/CharlieBowerbank
<p>I have a K Bass M5 1947 -1948 vintage with laminated top and back. The top is sinking and the back is starting to bulge at the sound post. I would appreciate any ideas on how to repair this problem. </p>
<p>I have a K Bass M5 1947 -1948 vintage with laminated top and back. The top is sinking and the back is starting to bulge at the sound post. I would appreciate any ideas on how to repair this problem. </p>The 1-2 Punch Of Weight Losstag:fretsnet.ning.com,2017-07-24:2177249:BlogPost:1719022017-07-24T10:33:51.000ZJhenny Barneshttp://fretsnet.ning.com/profile/JhennyBarnes
<p>But what you do want is to strengthen your muscle volume level. The larger your muscles are, the more fat your muscles burn. Fighting obesity means you simply lose weight, and fat lost first is an most unsightly, unwelcome assortment.<iframe allowfullscreen="" frameborder="0" height="315" src="https://www.youtube.com/embed/cJlT5Sdr-YQ?wmode=opaque" width="560"></iframe>
</p>
<p>You can make the <a href="http://www.yourhealthconnects.com/shop/vg-caps/">VG Caps Dietary Supplements</a> on your…</p>
<p>But what you do want is to strengthen your muscle volume level. The larger your muscles are, the more fat your muscles burn. Fighting obesity means you simply lose weight, and fat lost first is an most unsightly, unwelcome assortment.<iframe width="560" height="315" src="https://www.youtube.com/embed/cJlT5Sdr-YQ?wmode=opaque" frameborder="0" allowfullscreen=""></iframe>
</p>
<p>You can make the <a href="http://www.yourhealthconnects.com/shop/vg-caps/">VG Caps Dietary Supplements</a> on your own, generally there are a ton of them globe store shelves, regardless, you don't need to pick one randomly.</p>
<p>Most people take for granted the news that eating healthy, when combined with regular exercise, extends lifespan and enhances one's standard of living. So does that mean all of the people precautions can delay or prevent through growing old as you age?</p>
<p>If having it . taking <a href="http://www.yourhealthconnects.com/shop/vg-caps/">health food supplements online</a>, now is the time to learn about which ones to take on. You need plenty of anti-aging antioxidants. If you believe your diet (even a "good" one) provides everything you need, try to. Broccoli grown in mineral deficient foreign soil, given chemicals to extend shelf life and stored too long under below best conditions does not provide optimum nutrition.</p>
<p>"I am very excited to see this event expand in size this year; it is rewarding observe ICMAD manifest as a catalyst in contributing to look great.Feel Better. Really feel that having our industry of beauty, cosmetics and personal care creates a win-win scenario with gratification for all," says Pam Busiek, president and CEO, ICMAD.</p>
<p>On Friday nights, Lionel goes out, has a beer to drink, then goes you will find his wife of twenty-five years. They own when you together and thanks to careful financial management, are going to be able to retire when Lionel turns fifty. Lionel is always tired, and stress lines his get. He can hardly choose he retires.</p>
<p>Of course you will certainly need for snapping products help your healthy weight loss. However, it is very donrrrt forget to remember that drenched some magic products. You'll still have to complete exercises in order to speed up the results!</p>Searching for Info on Washburn 1897 Style New Model Acoustic Guitartag:fretsnet.ning.com,2017-02-07:2177249:BlogPost:1670332017-02-07T16:09:48.000ZLynn Sledgehttp://fretsnet.ning.com/profile/LynnSledge
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220515822?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2220515822?profile=RESIZE_1024x1024" width="750"></img></a> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2220516154?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516154?profile=RESIZE_1024x1024" width="750"></img></a> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2220517437?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2220517437?profile=RESIZE_1024x1024" width="750"></img></a> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2220525013?profile=original" target="_self"><img class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2220525013?profile=RESIZE_1024x1024" width="750"></img></a></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220515822?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220515822?profile=RESIZE_1024x1024" width="750" class="align-center"/></a><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220516154?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516154?profile=RESIZE_1024x1024" width="750" class="align-center"/></a><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220517437?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220517437?profile=RESIZE_1024x1024" width="750" class="align-center"/></a><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220525013?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220525013?profile=RESIZE_1024x1024" width="750" class="align-center"/></a><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220525836?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220525836?profile=RESIZE_1024x1024" width="750" class="align-center"/></a>The above referred to guitar has been in my family for many years. It was my grandfather's. He was born in the late 1800's. The body and the neck bare the same serial #'s 260374. It does show some wear, but for the most part I believe it is in original condition and in decent shape. I would appreciate anyone's expertise on the matter. Thank you in advance for your time. Lynn Sledge</p>D35 talk about heat prostration oy!!tag:fretsnet.ning.com,2016-12-17:2177249:BlogPost:1648312016-12-17T19:23:32.000Zpeter meyerhttp://fretsnet.ning.com/profile/petermeyer
<p>This came into the shop yesterday, the owner said he kept this guitar buy a space heater! already repaired once . some crackage as you wound expect . Now complete break of the top at back of the bridge top pulled UP big cracks x brace sections unglued</p>
<p>SO my plan is to remove bridge plate ,, install a new larger bridge plate so there's glue surface past the brake to glue the top down to . then glue everything back together and installing a martin repair bridge to cover the break …</p>
<p>This came into the shop yesterday, the owner said he kept this guitar buy a space heater! already repaired once . some crackage as you wound expect . Now complete break of the top at back of the bridge top pulled UP big cracks x brace sections unglued</p>
<p>SO my plan is to remove bridge plate ,, install a new larger bridge plate so there's glue surface past the brake to glue the top down to . then glue everything back together and installing a martin repair bridge to cover the break >> what im hoping is the top will hold, seeing that the top completely broken at the bridge back ,,a first for me!. i'm the edge of thinking it needs to be re topped ,and of course thats too much $ for the customer</p>
<p>so the stewing on this as i prepare myself and thought id share with my next project<a href="http://storage.ning.com/topology/rest/1.0/file/get/2059959712?profile=original" target="_self">20161217_130207.jpg</a></p>
<p>and hob nob with my fellow wizards <a href="http://storage.ning.com/topology/rest/1.0/file/get/2059959972?profile=original" target="_self">20161217_130334.jpg</a></p>
<p></p>
<p></p>
<p></p>Black Locust / Port Orford Cedar Guitartag:fretsnet.ning.com,2016-05-20:2177249:BlogPost:1607012016-05-20T02:00:00.000ZDavid Breezehttp://fretsnet.ning.com/profile/DavidBreeze
<p>Currently working on guitar #3. The shape is similar to a Gibson Jumbo, but dimensions are close to Martin Dreadnought. Back and sides are black locust, and top is salvaged Port Orford cedar. with dramatic figure and excellent stiffness. I installed a wenge end graft, then fought a losing battle with some over-thick wenge binding. My skills are no match for this stuff, which bent into lumpy curves, broke, stabbed me with nasty splinters and basically gave me the finger at every turn. …</p>
<p>Currently working on guitar #3. The shape is similar to a Gibson Jumbo, but dimensions are close to Martin Dreadnought. Back and sides are black locust, and top is salvaged Port Orford cedar. with dramatic figure and excellent stiffness. I installed a wenge end graft, then fought a losing battle with some over-thick wenge binding. My skills are no match for this stuff, which bent into lumpy curves, broke, stabbed me with nasty splinters and basically gave me the finger at every turn. Just ordered some dark tortoise celluloid binding which hopefully will harmonize with the blond locust and brown end graft. It will damn sure be easier to install! </p>
<p></p>
<p>Eventually installed ash binding, which turned out nice - but I'll never again use a light colored porous binding next to an ebony fingerboard! The guitar sounds great. I'm sold on Port Orford as a top wood. </p>
<p><a href="https://storage.ning.com/topology/rest/1.0/file/get/7561917090?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/7561917090?profile=RESIZE_710x" class="align-left" width="250"/></a><a href="https://storage.ning.com/topology/rest/1.0/file/get/7561935274?profile=original" target="_blank" rel="noopener"><img src="https://storage.ning.com/topology/rest/1.0/file/get/7561935274?profile=RESIZE_710x" class="align-right" width="250"/></a></p>Guild F 212 XLtag:fretsnet.ning.com,2016-03-08:2177249:BlogPost:1570872016-03-08T15:00:00.000ZStefano Bertoncellohttp://fretsnet.ning.com/profile/StefanoBertoncello219
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220516500?profile=original" target="_self"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516500?profile=RESIZE_1024x1024" width="750"></img></a> <a href="http://storage.ning.com/topology/rest/1.0/file/get/2220517489?profile=original" target="_self"><img class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220517489?profile=RESIZE_1024x1024" width="750"></img></a></p>
<p></p>
<p>Dear mr. Ford... I've been a fond reader of FRETS.NET and .COM for years... already a member (AKA Twogoodears), but not able to enter the Forum, I signed anew with my name... always an avid 12 strings player and collector, I've another question…</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220516500?profile=original" target="_self"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516500?profile=RESIZE_1024x1024"/></a><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220517489?profile=original" target="_self"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220517489?profile=RESIZE_1024x1024"/></a></p>
<p></p>
<p>Dear mr. Ford... I've been a fond reader of FRETS.NET and .COM for years... already a member (AKA Twogoodears), but not able to enter the Forum, I signed anew with my name... always an avid 12 strings player and collector, I've another question for you, to tickle your knowledge.</p>
<p></p>
<p>I bought a nice 1974 Hoboken Guild F212 XL acoustic... the previous m...f...er owner badly played with the double truss-rod and at some point of its life, the guitar neck gave up and sort-of exploded at about its half, at 7th fret underside, rounded part.</p>
<p></p>
<p>The guitar is now in two pieces: body and neck, as my luthier advice was to DO NOT even try a repair to the neck, but a complete rebuild of whole neck, with a new, improved double truss-rod, etc. etc including of course the replica of original serial number on headstock back.</p>
<p></p>
<p>Do you have a wise suggestion, an alternative to such a whole neck rebuilt?</p>
<p></p>
<p>I could also have the battered, exploded neck delivered at your workshop, via a dear friend of mine living nearby;-))) if the case... for possible repair-job or rebuilt, if the wait at my luthier will continue!</p>
<p></p>
<p>Forgot to say the guitar is at my luthier workshop since Feb. 2014!!!</p>
<p></p>
<p>Thanks in advance and greetings from Italy. </p>'74 Epiphone FT-147tag:fretsnet.ning.com,2016-02-14:2177249:BlogPost:1540252016-02-14T22:50:03.000ZTom martinhttp://fretsnet.ning.com/profile/Tommartin
Can't figure how to adjust the truss rod. Neither end has any Allen or wrench facility. Any help is appreciated.
Can't figure how to adjust the truss rod. Neither end has any Allen or wrench facility. Any help is appreciated.old martin 0-17 restoretag:fretsnet.ning.com,2015-09-05:2177249:BlogPost:1502482015-09-05T11:30:00.000Zjohn hallhttp://fretsnet.ning.com/profile/johnhall
<p> I received this project from a friend. It was a pre 1867 Martin 2-17 that was converted to steel string , and the issues were many</p>
<p>1 top warp and cracks</p>
<p>2 bad bridge</p>
<p>3 a pile of bridge plates</p>
<p>4 no tuners</p>
<p> the pluses were</p>
<p> It was complete and the guitar had potential to be returned to playable condition. The back and side are Brazilian rosewood and no issues. The dentils inside were in tact ( today they use kerfed lining ) The neck was solid and…</p>
<p> I received this project from a friend. It was a pre 1867 Martin 2-17 that was converted to steel string , and the issues were many</p>
<p>1 top warp and cracks</p>
<p>2 bad bridge</p>
<p>3 a pile of bridge plates</p>
<p>4 no tuners</p>
<p> the pluses were</p>
<p> It was complete and the guitar had potential to be returned to playable condition. The back and side are Brazilian rosewood and no issues. The dentils inside were in tact ( today they use kerfed lining ) The neck was solid and not missing any frets. A slight crack in the ebony on the fretboard but that is not uncommon on a guitar of this age.</p>
<p></p>
<p> After my initial assessment I knew the plates would come out easier with the bridge removed and since it was loose that was my first dive. I found that the top did have some damage under the bridge . Once that was off I took a sponge and soaked it and allowed that to saturate the plate pile over night. I came in the next morning and applied some heat and using palet knives and my favorite tool a icing knives set from pampered chef. It took a good bit if time and finesse but after about 2 hrs I had all the fire wood off the top.</p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220516513?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516513?profile=RESIZE_1024x1024" width="750"/></a><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220516744?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516744?profile=RESIZE_1024x1024" width="750"/></a></p>
<p>Here is what came out. None of this is original to the top.<a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220516893?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220516893?profile=RESIZE_1024x1024" width="750"/></a></p>
<p></p>
<p></p>
<p>So with this out , the heat ans steam did me a favor and opened some of the poorly repaired cracks. I was contacted by Kathy Wingert and I also called Frank himself on this repair . I was lucky that the top had a filler piece in it and this would allow me to place a full top patch between the fan braces. I also found that the middle one was totally missing. So I had to make a template of this area and did so using paper and magnets to get points of registration for this. You can see in this photo I used small magnets to give me points on contact of the fan braces. Having paper under that I could use a straight edge and make my marks .</p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220517415?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220517415?profile=RESIZE_1024x1024" width="750"/></a><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220517836?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220517836?profile=RESIZE_1024x1024" width="750"/></a><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220518278?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220518278?profile=RESIZE_1024x1024" width="750"/></a> The top was in better shape than I thought it would be but it did feel very spongy. With the filler made I set that into the guitar in one piece using the slot from the filler that came out.</p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220518540?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220518540?profile=RESIZE_1024x1024" width="750"/></a> The filler was made .0325 in thick as I didn't want to add too much to the top. As I addressed the cracks one at a time the top started to become more structurally sound. I used all sort of things for clamping my favorite are the rare earth magnets.</p>
<p></p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220518996?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220518996?profile=RESIZE_1024x1024" width="750"/></a> As the top came together I had a few open cracks and thinned out a piece of an old top , used a razor blade and cut fillers for the cracks that wouldn't close . I used clamps and plastic cauls to help flatten the top as the cracks were repaired.<a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220519530?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220519530?profile=RESIZE_1024x1024" width="750"/></a><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220524450?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220524450?profile=RESIZE_1024x1024" width="750"/></a> As the top came to a close I decided to thing the top patch that I had made, I actually manged to get it out of the sound hole and I then thinned it to .015. I used Hide glue and clamped that in. I made a caul that was hinged and clamped that with a plastic top caul. This really got the top back to where it needed to be structurally.</p>
<p></p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220528308?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220528308?profile=RESIZE_1024x1024" width="750"/></a> With the tops cracks fixed and the top patch installed I could address the missing top wood under the bridge. If you notice the grain of the patch is running a little skewed to the tops grain by design. The top is .0625 thick and I then made a filler for the footprint that was missing with that grain running opposite to the patch to help strengthen this area.</p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220528556?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220528556?profile=RESIZE_1024x1024" width="750"/></a> Next I had to set in the bridge patch. On these older gut stringed instruments they patch was often mahogany from what Martin repair dept told me. So I made a new plate . It was dry fit and wedged into position. Once set I used the magnet trick to match the notch for the fan brace. Glued that in and made the new bridge.<a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220528623?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220528623?profile=RESIZE_1024x1024" width="750"/></a><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2220529275?profile=original"><img width="750" class="align-full" src="http://storage.ning.com/topology/rest/1.0/file/get/2220529275?profile=RESIZE_1024x1024" width="750"/></a> Note the machine screws used to hold the bridge in position. I had a caul under the plate and glued the bridge on first. I then glued in the fan brace so I knew it would be between the bridge pin holes. At this point we did find a set of tuners off reverb. I strung it up a few days later. The old girl is now playable again. My customer will be pleased. The end goal was to get it to be a guitar again and that we did. After a week I refined the set up , and it is a joy to play. These things never cease to amaze me on how good they sound. I can imagine this guitar around a camp fire at Gettysburg as the boys sing and home , God and Glory.</p>
<p> I hope you enjoyed this post.</p>
<p></p>SuperMax 19-38 Drum Sandertag:fretsnet.ning.com,2015-08-29:2177249:BlogPost:1500832015-08-29T00:32:52.000ZDavid Breezehttp://fretsnet.ning.com/profile/DavidBreeze
<p>Unsolicited testimonial for anyone looking for a thickness sander:</p>
<p></p>
<p>A well-engineered and well-made tool is a beautiful thing. SuperMax drum sanders definitely fall into that category. I stopped into the local Klingspor woodworkers shop a couple of weeks ago, planning to check out the Jet/Performax drum sanders. They had a Performax 16-32 sander on display, and back to back with it was a SuperMax 19-38. It made the Performax look cheap. I wasn't planning on buying…</p>
<p>Unsolicited testimonial for anyone looking for a thickness sander:</p>
<p></p>
<p>A well-engineered and well-made tool is a beautiful thing. SuperMax drum sanders definitely fall into that category. I stopped into the local Klingspor woodworkers shop a couple of weeks ago, planning to check out the Jet/Performax drum sanders. They had a Performax 16-32 sander on display, and back to back with it was a SuperMax 19-38. It made the Performax look cheap. I wasn't planning on buying anything, just looking, and SuperMax was completely off my radar. But it was so nice! Enough width to sand any normal guitar top or back in one pass, no plastic, nice castings, obviously meticulous attention to design and manufacture. And only a couple hundred dollars more. After 10 minutes of looking I bought one. So far it has lived up to the initial impression. Right out of the box with no adjustments it has thicknessed a spruce top to a uniform 0.135", surfaced a big piece of roughsawn 8/4 walnut and put perfectly flat uniform surfaces on a variety of pieces in between these extremes. If you are in the market for a thickness sander and can possibly afford $1400, please check this one out.</p>Broken Telecaster Repairtag:fretsnet.ning.com,2015-07-08:2177249:BlogPost:1480712015-07-08T06:00:00.000ZMario Cardenashttp://fretsnet.ning.com/profile/MarioGabinhoCardenasVega
<p>Several months ago i received this American Vintage Telecaster broken in two pieces and with other cracks along the grain. </p>
<p></p>
<p>A lot of guys from the group helped with ideas on how to proceed. I'd like to show the method i chose to perform the repair. I hope this could be of use. I'm open to any questions or comments.</p>
<p></p>
<p>Here you can see a very clean separation. I'm a hide glue guy, but I chose Titebond Original for this one since i was afraid i wasn't gonna be fast…</p>
<p>Several months ago i received this American Vintage Telecaster broken in two pieces and with other cracks along the grain. </p>
<p></p>
<p>A lot of guys from the group helped with ideas on how to proceed. I'd like to show the method i chose to perform the repair. I hope this could be of use. I'm open to any questions or comments.</p>
<p></p>
<p>Here you can see a very clean separation. I'm a hide glue guy, but I chose Titebond Original for this one since i was afraid i wasn't gonna be fast enough with the hide glue. </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2059953349?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2059953349?profile=RESIZE_1024x1024" width="393" class="align-full" height="295"/></a></p>
<p></p>
<p>To spread pressure i made several cauls out of plywood and covered the contact areas with foam. <img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220518488?profile=RESIZE_1024x1024" width="393" class="align-full" height="295"/></p>
<p></p>
<p>This is the clamping setup i used.<a href="http://storage.ning.com/topology/rest/1.0/file/get/2220519068?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220519068?profile=RESIZE_1024x1024" width="393" class="align-full" height="295"/></a></p>
<p></p>
<p>Here is the dry run<a href="http://storage.ning.com/topology/rest/1.0/file/get/2220519500?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220519500?profile=RESIZE_1024x1024" width="394" class="align-full" height="295"/></a></p>
<p></p>
<p>And here the actual gluing </p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220520159?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220520159?profile=RESIZE_1024x1024" width="392" class="align-full" height="294"/></a></p>
<p>The end result is an almost invisible repair<a href="http://storage.ning.com/topology/rest/1.0/file/get/2220521595?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220521595?profile=RESIZE_1024x1024" width="393" class="align-full" height="295"/></a></p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2220525737?profile=original" target="_self"><img width="750" src="http://storage.ning.com/topology/rest/1.0/file/get/2220525737?profile=RESIZE_1024x1024" width="393" class="align-full" height="294"/></a></p>
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<p></p>
<p>Thanks!</p>How to Remove Back of Guitartag:fretsnet.ning.com,2015-04-22:2177249:BlogPost:1459212015-04-22T06:02:50.000ZScott Memmerhttp://fretsnet.ning.com/profile/ScottMemmer
<p>Howdy. I bought a cheapie acoustic guitar and want to remove the back. Can anyone refer me to a procedure, either in print or video, that would walk me through this. The guitar cost me almost nothing, so it's okay if it doesn't go well, but it could be a good learning experience.</p>
<p></p>
<p>Thanks!</p>
<p>Howdy. I bought a cheapie acoustic guitar and want to remove the back. Can anyone refer me to a procedure, either in print or video, that would walk me through this. The guitar cost me almost nothing, so it's okay if it doesn't go well, but it could be a good learning experience.</p>
<p></p>
<p>Thanks!</p>Total refret, Fender Stratocaster.tag:fretsnet.ning.com,2014-12-19:2177249:BlogPost:1411102014-12-19T19:00:00.000ZWerther Ellerbrockhttp://fretsnet.ning.com/profile/WertherEllerbrock
<p>Hello everyone.</p>
<p>A few pictures of a refret I did a couple of months ago.</p>
<p>All feedback is welcome.</p>
<p>Werther Ellerbrock.</p>
<p><a href="http://www.facebook.com/media/set/?set=a.808951619149927.1073741831.715619191816504&type=3" target="_blank">http://www.facebook.com/media/set/?set=a.808951619149927.1073741831.715619191816504&type=3</a></p>
<p>Hello everyone.</p>
<p>A few pictures of a refret I did a couple of months ago.</p>
<p>All feedback is welcome.</p>
<p>Werther Ellerbrock.</p>
<p><a href="http://www.facebook.com/media/set/?set=a.808951619149927.1073741831.715619191816504&type=3" target="_blank">http://www.facebook.com/media/set/?set=a.808951619149927.1073741831.715619191816504&type=3</a></p>A replacement saddle made out of bone for a 1970s Ibanez guitar.tag:fretsnet.ning.com,2014-12-19:2177249:BlogPost:1410062014-12-19T19:00:00.000ZWerther Ellerbrockhttp://fretsnet.ning.com/profile/WertherEllerbrock
<p>This was the first time I ever saw an electric guitar with saddles made out of bone. The 1st string saddle was missing, and it was either replacing it with a conventional metal saddle and have a mismatch, or build one from scratch, which I did. It worked like a charm! <a href="http://www.facebook.com/media/set/?set=a.811208805590875.1073741832.715619191816504&type=3" target="_blank">http://www.facebook.com/media/set/?set=a.811208805590875.1073741832.715619191816504&type=3</a></p>
<p>This was the first time I ever saw an electric guitar with saddles made out of bone. The 1st string saddle was missing, and it was either replacing it with a conventional metal saddle and have a mismatch, or build one from scratch, which I did. It worked like a charm! <a href="http://www.facebook.com/media/set/?set=a.811208805590875.1073741832.715619191816504&type=3" target="_blank">http://www.facebook.com/media/set/?set=a.811208805590875.1073741832.715619191816504&type=3</a></p>