help in fretting work
i mi fabio from italy, im sorry about my poor english but i try to explain,i start to work at fretboard for my les paul project, radius , installing inlay, sanding tperfection the fretboard, i read in many post, in fender bolt on guitar requre a fallaway, start from 15 fret to 22 fret. in guitar like gibson set neck is the same?????thanks
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Replies to This Discussion
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Permalink Reply by Pierre-Antoine Roiron on
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If it's your first project, don't bother with this. Try to make a good straight fretboard and a good straight fretting job. It's hard enough if it's your first time. I think I know what I talk about, 'cause I'm a self-taught luthier from the time there where no forums about it (seems like dinosaur's area) : I learned with a book and lot and lot of mistakes!
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Permalink Reply by Murray MacLeod on
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All guitars, acoustic or electric, benefit from a "fallaway" from the 15th fret.
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Permalink Reply by Howard Klepper on
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Except for those that don't, for reasons particular to the player.
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Correct, I was forgetting about the bluegrass fraternity.
Why do Martin bother putting frets above the neck joint on a D-28 ???
Beats me ...
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Permalink Reply by Ned Knepp on
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Sure looks good, doesn't it? Besides, aren't those "spare frets" for when the first position ones wear out?
Ned
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Haha... that's a good idea Ned!
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I got this picture from the web. This looks better than I thought. I like the custom O.T. inlay.
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I hear they are also going to produce a George Jones signature model which will have only six frets (with a built in capo behind the third fret )
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We've talked about 13th fret guitars before. I think Paul Hostetter is the expert on those. If you're around, Paul, did you have anything to do with this model?
Ned -
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Very nice, I like it much!
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