I was just starting a Facebook conversation with one of the 'big boy' successful Luthiers, who was talking about making braces, and was asking him if he had ever fooled around with carbon fibre laminate bracing, and it occurred to me that I have never heard of using this material as a bridge plate. The properties of this material ( before anyone here responds!) seems to be ideal for this, does it not? Available in whatever thickness is deemed proper, cut to exact same size as the whatever was taken out, never wear out, unless glue joint fails for some reason, should last longer than the playability of the guitar. What do you folks here think? Maybe used as a middle ply between two thin veneers of maple, or maybe just 'as is' ? Any thoughts?
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it may be a good idea but I am gonna stick with what is more traditional wood ,not to discourage you from trying it cause if we keep messing with it it may not be a guitar any more kidden ok but if I were gonna make a guitar last longer than a life time then id build a bridge /top saver system to save the load on the top braces to try and eliminate top repair later on like a possible looss brace. me likey the fact that the wood ones that are glued with protien I mean aliphatic or hide come back apart to be realigned or replaced later on .../// that and I can also say Mother Nature and I made this from Scratch .
I recall something about failure rates of carbon fibre/wood laminates interleaved which was negative, but that was some time ago. The furniture dudes have been laminating timber with carbon fibre for fancy lightweight chairs and stuff for some time now and that seems to work OK.
For bridgeplates I would hazard a guess that the frequency transmission would be different and maybe the attack time (rate) would be faster overall.
Carbon fibre doesn't take on a 'set' (not the good structural stuff anyway) which may cause problems with the top becoming distorted over time as it bellies a bit but the bridge plate area stays flattish.
Personally don't know why one would bother - the existing system when done well works a treat in most cases.
I must be missing something in the guitar building world- My thoughts (and I try to use this theroy when I build)
is wht fix something when it isnt broken.. or like an old actor once said- "I don't understand it-everybody
wants to get into the act" Im also wondering with all these new ideas that are coming along if there is a shortest of natural material.. just my two cents worth... Peace, Donald
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